La gente risponde

Plurale Rede in Pasolinis Comizi d’amore

Abstract

The essay analyses Pasolini’s lesson on “cinema-truth”, starting with the interviews conducted by the director on sexuality and love. The contribution hypothesizes that, in his attempt to record the opinions of Italians, Pasolini highlights the function of the word as public discourse to which cinema becomes a witness as a choral form, at once humble and epic, in which people finds its collective expression